Reversible Destiny: 'yesterday, today'

| Natalie King & Kataoka Mami
Reversible Destiny: 'yesterday, Today' | Natalie King & Kataoka Mami
↓

Tokyo Photographic Art Museum (TOP)

August 24–October 31, 2021
3F Exhibition Gallery
Yebisu Garden Place, 1-13-3 Mita, Tokyo Meguro-ku 153-0062, Japan

Artists: Maree Clarke, Rosemary Laing, Polixeni Papapetrou, Val Wens, Ishiuchi Miyako, Katayama Mari, Hatakeyama Naoya, Yokomizo Shizuka

 + Reversible Destiny: Australian and Japanese contemporary photography  2021. left to right: Katayama Mari, Maree Clarke, Rosemary Laing, Polixeni Papapetrou.
 + , in the water #003 and #005 Katayama Mari, 2021. Installation view . inkjet print, LED frame, 260 x 146cm.
 + Rikuzentakata series (installation view) Hatakeyama Naoya 2021.

 + 2016.06.25 Takata-cho Nagasuka Hatakeyama Naoya, 2016. from the series Rikuzentakata. chromogenic print. 20.8 x 25.9cm.

 + That Day (still) Yokomizo Shizuka 2020. video installation. 12mins 19 secs (looped).
 + Reversible Destiny: Australian and Japanese contemporary photography Maree Clarke, 2021.
 + Kawah ljen 4 (Ijen Crater)  Val Wens 2018. from the series Banyuwangi. inkjet print. 105 x 155cm.

 + Hiroshima series, Reversible Destiny: Australian and Japanese contemporary photography Ishuichi Miyako, 2021. installation view.
 + The long journey home 2 Maree Clarke 2018. inkjet print. 80 x 120cm.

 + The loners Polixeni Papapetrou, 2009. from the series Between Worlds. ink print. 105 x 105cm.

Links & Info
Cite this ArticleCite
 Colophon

Art and Australia logo


Art + Australia
Publisher: Victorian College of the Arts
University of Melbourne


Editor-in-Chief: Su Baker
Editor at Large: Edward Colless
Managing Editor: Jeremy Eaton
Art + Australia Study Centre Editor: Suzie Fraser
Digital Archive Researcher: Chloe Ho
Business adviser: Debra Allanson
Design Editors: Karen Ann Donnachie and Andy Simionato (Design adviser. John Warwicker) 


Contact: info@artandaustralia.com


Receive news from Art + Australia



Art + Australia was established in 1963 by Sam Ure-Smith and in 2015 was donated to the Victorian College of the Arts at the University of Melbourne by then publisher and editor Eleonora Triguboff as a gift of the ARTAND Foundation.


Art + Australia acknowledges the generous support of the Dr Harold Schenberg Bequest and the Centre of Visual Art, University of Melbourne. 


@Copyright 2022 Victorian College of the Arts
University of Melbourne ALL RIGHTS RESERVED



The views expressed in Art + Australia are those of the contributing authors and not necessarily those of the editors or publisher.


Art + Australia respects your privacy. Read our Privacy Statement.


Art + Australia acknowledges that we live and work on the unceded lands of the people of the Kulin nations who have been and remain traditional owners of this land for tens of thousands of years, and acknowledge and pay our respects to their Elders past, present, and emerging. 


Art + Australia ISSN 1837-2422