Afterimage

| Genevieve Trail
 + Afterimage Banner Designed by Studio Hik

Afterimage

Afterimage | Genevieve Trail

Afterimage is a collection of newly commissioned essays and archival materials gathered around the exhibition Afterimage: New Media Art in China, Hong Kong and Taiwan held at Arts West Gallery, University of Melbourne in 2023, curated by Duncan Caillard and Genevieve Trail. Afterimage documents histories of video and new media art in the Sinosphere, alongside a series of responses to the exhibition by scholars working in this field. 

Editorial
Mediating uncertainties
Rupture, or Rapture
The Concrete Flux of Cao Fei's 'Cosplayers'
All Scenes Are Unfinished: Excerpts
The Development of New Media Art in China
The development of new media art in Taiwan
The development of new media art in Hong Kong
Afterimage Reading List
 Colophon

Art and Australia logo


Art + Australia
Publisher: Victorian College of the Arts
University of Melbourne


Editor-in-Chief: Su Baker
Editor at Large: Edward Colless
Managing Editor: Jeremy Eaton
Art + Australia Study Centre Editor: Suzie Fraser
Digital Archive Researcher: Chloe Ho
Business adviser: Debra Allanson
Design Editors: Karen Ann Donnachie and Andy Simionato (Design adviser. John Warwicker) 


Contact: info@artandaustralia.com


Receive news from Art + Australia



Art + Australia was established in 1963 by Sam Ure-Smith and in 2015 was donated to the Victorian College of the Arts at the University of Melbourne by then publisher and editor Eleonora Triguboff as a gift of the ARTAND Foundation.


Art + Australia acknowledges the generous support of the Dr Harold Schenberg Bequest and the Centre of Visual Art, University of Melbourne. 


@Copyright 2022 Victorian College of the Arts
University of Melbourne ALL RIGHTS RESERVED



The views expressed in Art + Australia are those of the contributing authors and not necessarily those of the editors or publisher.


Art + Australia respects your privacy. Read our Privacy Statement.


Art + Australia acknowledges that we live and work on the unceded lands of the people of the Kulin nations who have been and remain traditional owners of this land for tens of thousands of years, and acknowledge and pay our respects to their Elders past, present, and emerging. 


Art + Australia ISSN 1837-2422